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Wow, here's our 5 star review for Jack & The Beanstalk

14 December 2018
Wow, here's our 5 star review for Jack & The Beanstalk

We think we have a five star panto but don’t just take our word for it, Wales Online think so too – check our fab review below.

Jack & The Beanstalk

Five stars

If I’m being truthful it was with a certain level of trepidation that I approached this year’s RCT panto.

And there was one sizeable reason for that – and his name was Frank Vickery.

Since the formation of the company which stages the annual panto in Aberdare and Treorchy, the Welsh playwright and consummate dame has been the driving force of the shows.

His unexpected death earlier this year was a huge blow for everybody involved in the company. What happened next? Should the show go on? How do you replace somebody as inextricably linked with the RCT panto as Frank? These were all huge questions director and writer Richard Tunley, together with the cast and crew had to answer.

Thankfully, it was quickly decided that what Frank would have wanted most is for the show to go on.

Of course, it was different without his sizeable presence on stage, but it was with no little enthusiasm that the crowd threw themselves headlong into another superlative knockabout romp.

The cast brilliantly surmounted the lack of a dame by deploying a genius plot device that allowed Vickery’s ‘voice’ to be heard once again.

What RCT pantos have over many of their big city rivals is heart and soul. A lack of technical budget means storytelling is paramount. In Tunley they have a master of his craft and in a cast which is more one big family, where a core of cast members return every year, there is continuity and camaraderie.

The interplay between Lee Gilbert (as the sinister Fleshcreep), our hero (Maxwell James as Jack Trot) and his younger brother, the always livewire Ryan Owen was an exuberant joy.

They looked like they were having the best time – and that’s because they were.

There were some beautiful nods to Vickery’s memory – not revealed here so as not to spoil the poignancy or emotional impact, but by the end of the pantomime you will have had tears in your eyes – either through laughter or the tug of the heartstrings.

Jack and the Beanstalk is a fitting tribute to Vickery, but ultimately a wonderful panto.

David Owen, Wales Online.

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i Theatrau RhCT
to RCT Theatres

AD Audio Described Performance

Audio description is a live commentary interspersed with the actors' dialogue. This is relayed via a headset linked to the infra-red audio system. There is a short 'programme notes' session, before the production, which explains the atmosphere, costumes, characters and action.

BSL British Sign Language Performance

Signed performances are ideal for those who use sign language. Trained British Signed Language (BSL) signers usually stand to one side of the stage and interpret the script used by the performers at the same time as it is being performed.

R Relaxed Screening/Performance

Open to everyone, but particularly appropriate for anyone who may find the usual theatre/cinema environment challenging, due to an Autism Spectrum Condition, a learning disability, or a fear of the dark, loud noises or confined spaces.

Relaxed Performances/Screenings provide a relaxed environment, where elements are adapted to reduce anxiety or stress. Lighting and sound levels are adjusted to soften their impact and there is a relaxed attitude to noise and leaving and re-entering the auditorium during the performance/screening.

Designated 'chill-out' areas are provided outside the auditorium with activities for people to use if being in the auditorium becomes overwhelming for them.

T Touch Tour

A Touch Tour is ideal for blind and partially-sighted audiences to familiarise themselves with the set ahead of the performance.

C Captioned Screening/Performance

Captions display dialogue on-screen (similar to subtitles) and also describe the audio or sound portion of a film/performance allowing audience members who are D/deaf or hard of hearing to follow the script and the action of the film/performance at the same time.

For live performances, the screen is positioned at the side of the stage.