From Monday 19 February the Box Office at the Coliseum Theatre will have new opening times – we will be open to personal callers every Tuesday 11.00am – 2.00pm.

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Box Office 03000 040 444



Wow, here's our 5 Star review of Aladdin

14 December 2017
Wow, here's our 5 Star review of Aladdin

David Owens saw Aladdin at Aberdare Coliseum


‘There is nothing like a dame,’ so the song goes - and that’s certainly true of this year’s RCT panto Aladdin.

Widow Twanky maybe a stock pantomime character but few could have played it with such a joyous, OTT vivaciousness than Frank Vickery.

When he’s not spending his Decembers dressing like an explosion in a haute couture factory (and whoever designs his outfits needs plaudits for the hilarious scope of their technicolour vision) Vickery is one of Wales’ most acclaimed playwrights – his preternatural comic timing as finely honed as his ability to put words to a script.

In this instance, however, it’s to brilliant writer and director Richard Tunley who we must credit responsibility for piecing together a beautifully constructed knockabout romp which doesn’t let up from first minute to last.

As far as the story is concerned this take on Aladdin is traditional panto fayre in every sense. Lacking a big budget for special effects like many big city pantos RCT Theatres’ offering relies on the strength of its writing and the quality of its cast.

It might be old school in that respect, but the story of Aladdin (Maxwell James) the son of the washer woman who finds forbidden love with Princess Jasmine (Laura Clements) is given a modern makeover with plenty pop culture references for young and old alike.

It’s also a pure entertainment experience with plenty of familiar songs – from the world of pop and musicals, as well as some whipsmart choreography – credit to young backing dancers the Take pART crew their lively performances here.

However, it’s the slapstick comedy and wonderfully funny turns from Vickery as Widow Twankey and his son Wishee Washee – played with an energetic zeal by the bedazzling Ryan Owen, that elevate this particular panto to brilliant new heights.

The farce is most definitely with them, as it is with bumbling coppers PC Ping (Bridie Smith) and PC Pong (Aled Davies), who both make for an arresting sight.

When you factor in not one but two most excellent genies – Tamara Brabon as the Genie of the Ring and Deiniol Wyn Rees as the Genie of the lamp, and a most villainous villain in the form of the wicked Abanazer, played by Lee Gilbert - who frankly is so good in the role the boos ring out throughout his malevolent showing, then this is a pantomime that ticks every box – and probably some yet to be discovered.

In a word it’s Genie-us. (Sorry)

Aladdin is touring RCT venues including Park and Dare in Treorchy from Saturday, December 16 until Christmas Eve. Call 03000 040 444

i Theatrau RhCT
to RCT Theatres

AD Audio Described Performance

Audio description is a live commentary interspersed with the actors' dialogue. This is relayed via a headset linked to the infra-red audio system. There is a short 'programme notes' session, before the production, which explains the atmosphere, costumes, characters and action.

BSL British Sign Language Performance

Signed performances are ideal for those who use sign language. Trained British Signed Language (BSL) signers usually stand to one side of the stage and interpret the script used by the performers at the same time as it is being performed.

R Relaxed Screening/Performance

Open to everyone, but particularly appropriate for anyone who may find the usual theatre/cinema environment challenging, due to an Autism Spectrum Condition, a learning disability, or a fear of the dark, loud noises or confined spaces.

Relaxed Performances/Screenings provide a relaxed environment, where elements are adapted to reduce anxiety or stress. Lighting and sound levels are adjusted to soften their impact and there is a relaxed attitude to noise and leaving and re-entering the auditorium during the performance/screening.

Designated 'chill-out' areas are provided outside the auditorium with activities for people to use if being in the auditorium becomes overwhelming for them.

T Touch Tour

A Touch Tour is ideal for blind and partially-sighted audiences to familiarise themselves with the set ahead of the performance.

C Captioned Screening/Performance

Captions display dialogue on-screen (similar to subtitles) and also describe the audio or sound portion of a film/performance allowing audience members who are D/deaf or hard of hearing to follow the script and the action of the film/performance at the same time.

For live performances, the screen is positioned at the side of the stage.